cites

Aarseth, Espen J. Cybertext : Perspectives on Ergodic Literature. Baltimore, Md: Johns Hopkins UP, 1997.

---. "Nonlinearity and Literary Theory." Hyper/Text/Theory. ed. George P. Landow. Baltimore: Johns Hopkins UP, 1994.

Auslander, Philip. Presence and Resistance: Postmodernism and Cultural Politics in Contemporary American Performance. Ann Arbor: U of Michigan P, 1992.

Bakhtin, M.M. The Dialogic Imagination. Austin: U of Texas P, 1981.

Barthes, Roland. Roland Barthes. Berkeley: U of California P, 1977.

---. Image-Music-Text. New York: Hill and Wang, 1977.

---. The Pleasure of the Text. New York: Hill and Wang, 1975.

---. S/Z. New York: Hill and Wang, 1974.

Baudrillard, Jean. Simulations. New York: Semiotext(e), 1983.

Bender, Hy. The Sandman Companion. Canada: DC Comics Vertigo, 1999.

Benjamin, Walter. Illuminations. New York: Schocken Books, 1968.

Bennahum, David S. Extra Life. New York: Basic Books, 1998.

Berk, Emily and Joseph Devlin. "A Hypertext Timeline." Hypertext/Hypermedia Handbook. eds. Emily Berk and Joseph Devlin. New York: Intertext Publications, 1991.

Berleant, Arnold. The Aesthetic Field. Springfield: Thomas, 1970.

---. Art and Engagement. Philadelphia: Temple UP, 1991.

Bloom, Harold. The Anxiety of Influence: A Theory of Poetry. New York: Oxford UP, 1973.

---. "Poetry, Revisionism, Repression." Critical Theory Since 1965. Eds. Hazard Adams and Leroy Searle. Tallahassee: Florida State UP, 1986.

Bolter, Jay David. The Writing Space: The Computer, Hypertext and the History of Writing. Hillsdale, NJ : L. Erlbaum Associates, 1991.

Booth, Wayne. The Rhetoric of Fiction. Chicago: U of Chicago P, 1982.

Bukatman, Scott. Terminal Identity. Durham: Duke UP, 1997.

Burke, James. Connections. New York: Back Bay Books, 1978.

---. The Pinball Effect. New York: Back Bay Books, 1996.

Campbell, Joseph. The Mythic Image. Princeton: Princeton UP, 1974.

---. Transformations of Myth through Time. New York: Perennial Library, 1990.

Carroll, Jon. "(D)Riven." http://wwww.wired.com/wired/5.09/riven.html.

---. "Guerillas in the Myst." http://wwww.wired.com/wired/2.08/features/myst.html.

Chartier, Roger. Forms and Meanings: Texts, Performances, and Audiences from Codex to Computer. Philadelphia: U of Pennsylvania P, 1995.

Colman, Andrew. Game Theory and Experimental Games. New York: Pergamon Press, 1982.

Coover, Robert. "Hyperfiction: Novels for the Computer." New York Times Book Review. August 29, 1993, p1, col 1.

Costello, Robert B, ed. The American Heritage College Dictionary (Third Edition). New York: Houghton Mifflin Co., 1993.

Cyan, Inc. "Cyan Titles." http://www.cyanworlds.com/info.ssi

Delany, Paul and George P. Landow, eds. Hypermedia and Literary Studies. Cambridge: MIT P, 1991.

Deleuze, Gilles and Felix Guattari. A Thousand Plateaus. Minneapolis: U of Minnesota P, 1987.

Derrida, Jacques. Margins of Philosophy. Chicago: U of Chicago P, 1882.

Dibbell, Julian. My Tiny Life. New York: Holt and Co., 1998.

---. "A Rape in Cyberspace; or How an Evil Clown, a Haitian Trickster Spirit, Two Wizards, and a Cast of Dozens Turned a Database into a Society" High Noon on the Electronic Frontier. ed. Peter Ludlow. New York: MIT P, 1996.

Douglas, J. Yellowlees. "'How Do I Stop This Thing?': Closure and Indeterminacy in Interactive Narratives." Hyper/Text/Theory. ed. George P. Landow. Baltimore: Johns Hopkins UP, 1994.

Eisner, Will. Comics & Sequential Art. Tamarac, FL: Poorhouse Press, 1985.

---. Graphic Storytelling. Tamarac, FL: Poorhouse Press, 1995.

Feal, Rosemary Geisdorfer and Carlos Feal. Painting on the Page. New York: U of New York P, 1995.

Fish, Stanley. "Interpreting the Variorum." Reader-Response Criticism: From Formalism to Post-Structuralism. Ed. Jane P. Tompkins. Baltimore: Johns Hopkins UP, 1980.

Fisher, Walter R. Human Communication as Narration. Columbia, SC: U of South Carolina P, 1987.

Foucault, Michel. Madness and Civilization. New York: Vintage Books, 1988.

---. The Order of Things. New York: Vintage Books, 1994.

Gaiman, Neil. American Gods. New York: William Morrow, 2001.

Gaiman, Neil and Dave McKean, etal. Sandman. (comic series issued 1-75 1/2). Canada: DC Comics Vertigo, 1989-1997.

---. Brief Lives. Canada: DC Comics Vertigo, 1992.

---. The Doll's House. Canada: DC Comics Vertigo, 1990.

---. Dream Country. Canada: DC Comics Vertigo, 1991.

---. The Dream Hunters. Canada: DC Comics Vertigo, 1999.

---. Dust Covers. Canada: DC Comics Vertigo, 1997.

---. Fables & Reflections. Canada: DC Comics Vertigo, 1993.

---. A Game of You. Canada: DC Comics Vertigo, 1991.

---. The Kindly Ones. Canada: DC Comics Vertigo, 1995.

---. Preludes & Nocturnes. Canada: DC Comics Vertigo, 1995.

---. Season of Mists. Canada: DC Comics Vertigo, 1990.

---. The Tragical Comedy or Comical Tragedy of Mr. Punch. Canada: DC Comics Vertigo, 1995.

---. The Wake. Canada: DC Comics Vertigo, 1997.

---. World's End. Canada: DC Comics Vertigo, 1995.

---. Personal Interview. 19 August 2000.

Garriott, Richard and Origin, Inc. Ultima OnLine. 1997--.

Gass, William. Finding a Form. Ithaca: Cornell UP, 1996.

---. On Being Blue. Boston: David R. Godine, 1954.

Genette, Gerard. Narrative Discourse. Cornell UP, New York, 1980.

Gilder, George F. Life After Television. New York: Norton, 1992.

Goldstein, Harry. "The Changing Shape of Fiction." Utne Reader. 62, March-April 1994: 131-132.

Goodman, Nelson. Languages of Art. New York: Nobs-Merrill Co., Inc. 1968.

Graves, Robert. The White Goddess: A Historical Grammar of Poetic Myth. New York: Vintage Books, 1948.

Grusin, Richard and Jay David Bolter. Remediation: Understanding New Media. Cambridge: MIT P, 1999.

Haraway, Donna J. Simians, Cyborgs and Women. New York: Routledge, 1991.

Herriman, George. comic strips collected in Krazy Kat: The Comic Art of George Herriman. eds. McDonnell, Patrick, Karen O'Connell and Georgia Riley de Havenon. New York: Harry N. Abrams, Inc, 1986.

Herz, J.C. "Turning Making Art and Music into Child's Play." http://www.nytimes.com/library/tech/99/05/circuits/articles/13game.html

Holland, Norman N. "Unity Identity Text Self." Reader-Response Criticis: From Formalism to Post-Structuralism. ed. Jane P. Tompkins. Baltimore: John Hopkins UP, 1980.

Huizinga, Johan. Homo Ludens. Boston: Beacon Press, 1950.

Iser, Wolfgang. "The Reading Process: A Phenomenological Approach." Reader-Response Criticism: From Formalism to Post-Structuralism. ed. Jane P. Tompkins. Baltimore: Johns Hopkins UP, 1980.

Johnson, Steven. Interface Culture: How New Technology Transforms the Way we Create and Communicate. San Francisco: HarperEdge, 1997.

Joyce, Michael. "Afternoon: a Story." http://iberia.vassar.edu/~mijoyce/Afternoon.html.

---. Of Two Minds: Hypertext Pedagogy and Poetics. Ann Arbor: U of Michigan P, 1995.

Kadrey, Richard. From Myst to Riven. NY: Hyperion, 1997.

Kellner, Douglas. Media Culture. NY: Routledge, 1995.

Kemp, Wolfgang. "Narrative." Critical Terms for Art History. Eds. Robert S. Nelson and Richard Shiff. Chicago: U of Chicago P, 1996.

Kim, Amy Jo. "Ultima Online: A Virtual World with Multiple Personalities." http://www.siggraph.org/publications/newsletter/v32n2/columns/fraser.html

Kindzierski, Lovern, Chris Ulm and Doug Wheatley. Myst: The Book of the Black Ships. Canada: Dark Horse Comics, 1997.

Kirsner, Scott. "Are You Experienced?" http://www.wired.com/wired/archive/8.07/themeparks.html

Kristeva, Julia. Desire in Language: A Semiotic Approach to Literature and Art. New York: Columbia UP, 1980.

Kurzweil, Ray. The Age of Intelligent Machines. Cambridge: MIT P, 1990.

---. The Age of Spiritual Machines. New York: Viking, 1999.

Landa, Manuel de. War in the Age of Intelligent Machines. New York: Swerve, 1991.

Landow, George P. Hypertext. Johns Hopkins UP, Baltimore, 1992.

---. Hypertext 2.0: The Convergence of Contemporary Critical Theory and Technology. Baltimore : Johns Hopkins UP, 1997.

---. "What's a Critic to Do? Critical Theory in the Age of Hypertext." Hyper/Text/Theory. ed. George P. Landow. Baltimore: Johns Hopkins UP, 1994.

Lanham, Richard A. The Electronic Word. Chicago: U of Chicago P, 1993.

Latour, Bruno. Aramis, Or The Love of Technology. Cambridge: Harvard UP, 1996.

Laurel, Brenda. Computers as Theatre. New York: Addison-Wesley Publishing Co., 1993.

LeNoir, Nina Marie. Theatre and Cyberspace: The Contribution of the Theatrical Past to Performance of the Future. Dissertation. University of Texas at Austin, 1999.

Long, Beverly Whitaker and Mary Susan Strine. "Reading Intertextually: Multiple Mediations and Critical Practice." Quarterly Journal of Speech. 75, 1989: 467-475.

McCloud, Scott. Understanding Comics: The Invisible Art. Northhampton, MA: Kitchen Sink Press, 1993.

---. Reinventing Comics. Northhampton, MA: Kitchen Sink Press, 2000.

McConnell, Frank. "Introduction." The Kindly Ones. Canada: DC Comics Vertigo, 1996.

McDonnell, Patrick, Karen O'Connell and Georgia de Havenon. Krazy Kat: The Comic Art of George Herriman. New York: Harry N. Abrams, Inc, 1986.

McLuhan, Marshall. The Medium is The Massage. New York: Bantam, 1967.

---. The Medium is The Message. London: Penguin Press, 1967.

---. Understanding Media: the Extensions of Man. Cambridge: MIT P, 1995.

Miles, David. "The CD-ROM Novel Myst and McLuhan's Fourth Law of Media: Myst and Its 'Retrievals.'" Journal of Communication, 46(2), Spring, 4-17.

Miller, J. Hillis. Ariadne's Thread: Story Lines. New Haven: Yale UP, 1992.

---. "Narrative." Critical Terms for Literary Study. Eds. Frank Lentricchia and Thomas McLaughlin. Chicago: U of Chicago P, 1987.

Miller, Rand and Robyn Miller, etal. Myst. CD-ROM game, Cyan, Broderbund. 1993.

---. Riven. CD-ROM game, Cyan, Red Orb, Broderbund. 1997.

Miller, Rand ,Robyn Miller and David Wingrove. Myst: the Book of Atrus. New York: Hyperion, 1995.

Miller, Rand and David Wingrove. Myst: the Book of D’Ni. New York: Hyperion, 1997.

---. Myst: the Book of Ti’Ana. New York: Hyperion, 1996.

Mitchell, W.J.T. "Representation." Critical Terms for Literary Study. Eds. Frank Lentricchia and Thomas McLaughlin. Chicago: U of Chicago P, 1987.

Murray, Janet H. Hamlet on the Holodeck. New York: Free P, 1997.

Negroponte, Nicholas. Being Digital. New York: Knopf, 1995.

Norman, Donald A. The Design of Everyday Things. New York: 1988.

O’Donnell, James Joseph. Avatars of the Word: from Papyrus to Cyberspace. Cambridge, MA: Harvard UP, 1998.

Packer, Randall and Ken Jordan, eds. Multimedia: from Wagner to Virtual Reality. New York: WW Norton and Co, 2001.

Pacovska, Kveta. MitterNachtSpiel. CD-ROM. Tivola. 1999.

Paulson, William R. The Noise of Culture. Ithaca: Cornell UP, 1988.

Pearce, Celia. The Interactive Book: a Guide to the Interactive Revolution. Indianapolis: Macmillan Technical Publishing, 1997.

Phelan, Peggy. Unmarked: The Politics of Performance. New York: Routledge, 1993.

Poole, Steven. Trigger Hapy: Video Games and the Entertainment Revolution. New York: Arcade, 2000.

Poulet, Georges. "Criticism and the Experience of Interiority." Reader-Response Criticism: From Formalism to Post-Structuralism. Ed. Jane P. Tompkins. Baltimore: Johns Hopkins UP, 1980.

Ryan, Marie-Laure, Ed. Cyberspace Textuality: Computer Technology and Literary Theory. Indiana: Indiana UP, 1999.

Sayre, Henry. The Object of Performance. Chicago: U of Chicago P, 1989.

---. "Performance." Critical Terms for Literary Study. Eds. Frank Lentricchia and Thomas McLaughlin. Chicago: U of Chicago P, 1987.

Scholes, Robert. Textual Power. New Haven: Yale UP, 1985.

Seldes, Gilbert. The Seven Lively Arts. New York: Harper & Brothers, 1924.

Shattuck, Roger. "How to Rescue Literature." NYRB. April 17, 1980.

Shiff, Richard. "Realism of Low Resolution." Apollo. 144 (November 1996): 3-8.

Silberman, Steve. "Just Say Nokia." http://www.wired.com/wired/archive/7.09/nokia.html

Smith, Barbara Herrnstein. Contingencies of Value. Cambridge: Harvard UP, 1988.

Snyder, Ilana and Michael Joyce, eds. Page to Screen: Taking Literacy into the Electronic Era. New York: Routledge, 1998.

Snyder, Ilana. Hypertext: The Electronic Labyrinth. New York: New York UP, 1997.

States, Bert O. "Performance as Metaphor." Theatre Journal : v48, n1 (March 1996): 1-26.

Stern, Carol Simpson and Bruce Henderson. Performance: Texts and Contexts. New York: Longman, 1993.

Stewart, Kathleen. A Space on the Side of the Road. Princeton: Princeton UP, 1996.

Stone, Allucquere Rosanne. The War of Desire and Technology at the Close of the Mechanical Age. Cambridge: MIT P, 1995.

Suleiman, Susan R. "Introduction: Varieties of Audience-Oriented Criticism." The Reader in The Text: Essays on Audience and Interpretation. eds. Susan R. Suleiman and Inge Crosman. Princeton: Princeton UP, 1980.

Summers, David. "Representation." Critical Terms for Art History. Eds. Robert S. Nelson and Richard Shiff. Chicago: U of Chicago P, 1996.

Thompson, Jane P. "An Introduction to Reader-Response Criticism." Reader-Response Criticism: From Formalism to Post-Structuralism. ed. Jane P. Tompkins. Baltimore: Johns Hopkins UP, 1980.

Todorov, Tzvetan. "Reading as Construction." The Reader in The Text: Essays on Audience and Interpretation. eds. Susan R. Suleiman and Inge Crosman. Princeton: Princeton UP, 1980.

Tufte, Edward R. Envisioning Information. Chesire: Graphics Press, 1990.

---. Visual Display of Quantitative Information. Chesire: Graphics Press, 1983.

---. Visual Explanations. Chesire: Graphics Press, 1997.

Turkle, Sherry. Life on the Screen. New York: Simon and Schuster, 1995.

Ulmer, Gregory L. "The Miranda Warnings: An Experiment in Hyperrhetoric." Hyper/Text/Theory. ed. George P. Landow. Baltimore: John Hopkins UP, 1994.

Valentine, Kristin B. and Eugene Valentine. Interlocking Pieces: Twenty Questions for Understanding Literature. Iowa: Kendall/Hunt, 1991.

Vandon Heuvel, Michael. Performing Drama/Dramatizing Performance: Alternative Theater and the Dramatic Text. Ann Arbor: U of Michigan P, 1993.

Verne, Jules. The Mysterious Island. New York: Heritage Press, 1959.

Walker, John. "Hogarth's Painting 'The Beggar's Opera': Cast and Audience at the First Night." Essays in Honor of Paul Mellon: Collector and Benefactor. Ed. John Wilmerding. Wash. DC: National Gallery of Art, 1986.

Weitzmann, Kurt. Illustrations in Roll and Codex, a Study of the Origin and Method of Text Illustration. Princeton: Princeton UP, 1947.

Weschler, Lawrence. Mr. Wilson's Cabinet of Wonder. New York: Vintage Books, 1995.

White, Hayden. The Content of the Form. Baltimore: Johns Hopkins UP, 1987.

Wolk, Anthony. "Challenge the Boundaries: an Overview of Science Fiction and Fantasy. English Journal. March 1990, v79, n3, 26-32.

Zimmer, Heinrich. The King and The Corpse. ed. Joseph Campbell. Princeton: Princeton UP, 1975.